He's not one of those typical self-assured villains in spite of his other-worldly abilities, but he possesses the same malice. Fichtner, who plays the devil's right hand of sorts, also brings a fun performance to the film. Heard will one day be too A-list and above this material, so she's refreshing in the role. I won't spoil what happens after, but this spirit creates the bond between her and Milton as well as a troubled past relationship between Milton and his daughter for which Piper provides a second chance. Piper vice grips her boss's balls when he puts his hands on her at work and then promptly quits, goes home early in her '69 Charger with "I Break for Pussy" on the bumper and finds another woman on top of her fiancé. Heard represents that kick-ass feminist force in the male-centric exploitation flick. After all, he doesn't even fall for the young blonde he's picked up for the ride (Amber Heard). Having escaped from hell to do so and with Satan's "accountant" (William Fichtner) on his tail, his actions should be pretty clear-cut. Milton's motivation is to get back his baby granddaughter from a Satanist cult that intends to sacrifice her. Usually the nudity or sex tells us something about the lone wolf lead character or adds to his mystique, but it really doesn't in this case. That could be chalked up to a genre signature, but it doesn't serve any other purpose in the film. Creativity for "Drive Angry" comes in the form of Cage's Milton shooting down several religious fanatics trying to kill him with farming tools - all while maintaining sexual intercourse with the waitress from the bar next door. The execution, however, comes off as amateur, especially in an age with folks such as Robert Rodriguez pulling off the genre in a modern era with more success - and humor especially. Vengeance, of course, lies at the heart of any reputable exploitation flick, so at least Lussier and writing partner Todd Farmer understand their genre. #Drive angry movie download driverWho better for the driver seat than Nicolas Cage? Sporting yet another hairstyle, Cage gets to play angry stoic man escaped from hell. In other words, cars, guns, naked women - and 3D. Fans of the 3-D medium who despise converted 3D will rejoice at the director's intention to use it, but this intention serves nothing more than the purpose of gimmick. Shot in 3D, when you watch the film in the "inferior" two dimensions, you can tell the film was meant to be watched in 3D the way bullets and shrapnel come toward the camera. "Drive Angry" is not the awful kind of schlocky grindhouse flick, but it's completely hollow filmmaking. Behold the difference between the "Fast and Furious" franchise and "Drive Angry." The former, for example, understands that women make the cars more beautiful, whereas Patrick Lussier, writer and director of "Drive Angry," believes that they go together because they're two things men like. But like any cocktail, there's a perfect blend required, not simply throwing them in a blend-er. A small but existent segment of the American population believes that any and all combinations of cars, guns and naked women make for the perfect care-free cinematic cocktail.
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